As this project progresses, I’ve noticed that each
sketchbook is developing it’s own little character. Although we all started out
with the same black Stillman & Birn sketchbook, each one somehow carries some of it’s owner’s
personality with it.
Julie Douglas's sketchbook is no exception- it’s creative, it’s fun and
imaginative! Her sketchbook is already looking full, with bits of paper peeking
out, and playful sketches by Julie and Ida in different mediums.
It dares you to be bold and step out of your comfort zone.
It dares you to be bold and step out of your comfort zone.
I decided to start with some daffodils (Narcissus). They’re such happy
little flowers, and it’s been a while since I have painted flowers. Besides,
yellow is always such a challenge, as there’s a very fine line between subtle
shading and making a horrible muddy mess.
I dug out an old sketchbook study of some daffodils which had my colour notes and began to paint. You can read more about the process here. |
The joy of working in a sketchbook is that you relax a
little. You can make up the composition as you go along. You can be a bit more
spontaneous, there’s no planning or tracing… just the pleasure of watching the
flowers take shape on the page. The leaves were fun too. They’re nice simple
shapes that pull the whole thing together.
However I wasn’t completely satisfied. It was still a bit
tame and safe.
Inspiration came to me in the form of a bottle of Winsor & Newton iridescent medium.
Iridescent medium is something that I would rarely get a chance to use in botanical
art. I had some shells from Galicia, and some nice blue paper. It was time to
play!
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I drew the shells out
in white pencil first, and then painted them with gouache paints combined with
watercolour paints. Gouache is very forgiving and I found it quite meditative
building up the layers and creating form.
I tried using the iridescent medium
with the paint on one of the shinier shells, but to be honest, it looked more
like cheap glitter glue. It was time to go wild. I covered each shell in
carefully cut out tracing paper, laid the page on some newspaper, got my
husband’s toothbrush (I can get him a new one), and began to splatter.
A few pieces of carrageen seaweed (Chondrus crispus) that have been sitting in my cupboard since God knows when, finished off the composition.
Oh what
fun!! The best part was splattering the iridescent medium. It doesn’t really
show up in the photos but it’s sparkly! Just perfect for Julie!
I was happy. I had my creative buzz and I’m ready for the next sketchbook now.
That shell painting takes my breath away, l feel as if I could pick one off the page! Love your blog and thank you for the inspiration too.
ReplyDeleteWhat a lovely thing to write, Valerie! Thank you :)
DeleteI agree with Valerie and I just loved this blog. It is a scant 44 here in NE Ohio and the sun is shining. The ice has been off Lake Erie for a little while now so we were thinking to take a jaunt there and see how everything looks now that "winter" is over. This blog further motivates to walk the beach and see if any paintable debris is left at the shore. Not being salt water there won't be any beautiful big shells like yours but perhaps there is some dune grass or driftwood to sketch. We will see.
ReplyDeleteQuestion: I love your in-depth dissections of flowers. Do you actually cut a flower in half to do the drawings or what is your secret? I promise I won't tell! Thanks. Your work is stunning.
Great work on the daffodils, but my heart is taken from the shells !
ReplyDelete