Showing posts with label prunus. Show all posts
Showing posts with label prunus. Show all posts

Friday, 31 January 2014

Working Title

The new sketchbooks really are shaping up nicely and with so many talented contributors, I know each one is going to be a precious gem by the time we've all finished with them. It has been so interesting to see the different styles of each artist and how we approach our subjects with our own ideas. 

So, with the title page being the first thing needing some attention, I looked to the quintessential spring blooms of snowdrops to give a fresh, new start feel. Using watercolour in just a couple of washes, I found the sketchbook paper to take quite a bit of punishment with the watery mixes I tend to start with. Adding an image from an old book as a frontispiece and painting a couple of simple bee motifs into the composition added to the informal, ephemeral feel I was after.

A found image from an old book opens proceedings,
followed by my rather whimsical watercolour of snowdrops and bees  

Around the edge of the page I decided to go back to my typography days and added the group title with some calligraphy. It has been quite a while since the art pen has made an appearance, so I was a bit daunted at the prospect. Luckily the pens cover a multitude of writing sins and with just a few wobbles here and there, I am quite pleased with the finished page.

With this page dealt with it was onto the first double page. For inspiration, or just a bit of relaxed pondering, I headed towards two of my favourite published sketchbooks. In and Out of the Garden and Sketchbook from Southern France, both by Sara Midda are little works of art, (quite literally). Exquisite vignettes depicting all of life and nature sit happily beside Sara's beautiful, hand painted lettering. A lovely starting point.  


If my veg patch produced all this, I would be a happy bunny

Why don't we have signs like this in Britain?

January is a bit of a botanical drought month in our garden, especially after a battering. So, I decided to present a showcase of 'my favourite seasonal bits' from past works. Reworking has become a bit of a theme with me just now and I really enjoyed the little wallow in nostalgia as I headed back in time, with a mix of happy memories flooding back. Taking little pieces from my 'working' sketchbook and mixing with bits from finished works, I hoped to reflect something of the Primary School nature table, which I used to love. Even today, I am still quite chuffed to have been the one to bring in a tuft of sheep's wool for Teacher. (well. we were in a suburb of London, so goodness knows how it got into our school hedge!)


Hazel, Prunus berries, rose hips and snowberry

And in true over the top whimsy, (I was on a roll) a little painted vignette, this time on a small envelope will welcome my fellow 'Nature Trailers' to my sketchbook. Although, they'll have to wait to see what's in it, (I haven't finished it yet).

A window of opportunity and a cheery welcome



Friday, 24 January 2014

January Colours

Yes it does.... It took a long time (over a month) before I finally got my sketchbook from Jackson's. But when I got it I was over the moon. The Stillman & Birn book is really nice looking and the paper feels wonderfully smooth and is white. That's important for me. I hate creamy coloured watercolour paper. This is good and it will show all the colours I paint and draw in the way I want them to be shown.
So I started straight away with the title page. No problem, that was just a matter of grabbing my bookbinder glue and stick my Ex Libris in the front. I had a month to wait for the sketchbook and used that time to come up with a nice title page image. It's one of my favourite birds, the long tailed tit. They are such happy little birds and I get them a lot in my garden.


The only thing I had to work on is the lettering. I haven't written enough lately and it shows in the handwriting. Ah well... the bird was nice ;)

After that it was time to make the first two pages. I thought a lot about it and looked for inspiration on the Internet. I decided to just start with what I had in my garden. It's January and one would think that there's not much going on in nature. Wrong!!! If you look well around you there's a lot going on right now. I first cut off a twig of my Hazel. They started to colour in December and are now slowly opening up. I picked a twig with male and female catkins. It's so nice how you can see them so clearly on the Hazel.

I recently got a few new watercolours and found out that the Cinnabar Green Light Extra from Old Holland matched the male catkins beautifully. In my collection of Italian watercolours from Zecchi (in Florence) were two other colours that came very close to the hues I needed: Magenta Lake and Venetian Yellow. To finish that page I added two hazelnuts from last Autumn in coloured pencil.

On the second page I made a drawing of my flowering Prunus autumnalis. That tree is the best tree a person can have in their garden. It starts flowering after the first frost and continues to do so all winter and the start of spring. The leaves are very bright green and small, filtering the light in the summer so nicely. In autumn the leaves change colour to happy yellow and orange colours. What else do you want? Again the Magenta and Cinnabar green were most useful for this twig.
Finally I found a flowering Viburnum bush close to my house. The scent is heavenly and again I could use the soft pinks. And what else did it need? A little something to balance it all. Last year I found a small feather of a Goldfinch in our garden. Treasures like that you just have to pick up. Now is the time to share this little feather with others.

Now, about the paper.... did I like it? Yes! It is not Fabriano 5 of course but it's very nice for a sketchbook. I did some lettering in wet ink. The ink didn't bleed and feather and even the small puddles of ink didn't get through to the other side of the paper. I normally work quite dry in watercolour, especially with smaller subjects. So for me the sizing of the paper wasn't too much to handle. I imagine that if I would like to work more wet in wet, I absolutely would get a problem. But I don't, so never mind about that. For coloured pencils it's nice too although I prefer paper that allows a few more layers. But again, this is a sketchbook and not paper to make a masterpiece on. So you won't hear me complain about it.
A shame we can't buy the sketchbooks in the Netherlands but I'm happy the Golden Boy has sent me his spare sketchbook as a gift. It means more sketch fun for me ;)

~ Sigrid Frensen ~